So I don’t cause confusion, I want to put this right at the top. Your Webcomics.com membership is good for twelve months past the day you first bought it. So if you subscribed in July, you’re good until next July.
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Tomorrow is the beginning of December. It’s a month dominated by holidays — both preparing for and celebrating them — and it’s the end of the year. It’s probably the most challenging months for a webcartoonist, so let’s get organized.
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Another Comic Aggregator site has crossed my radar, so I thought I would pass it along to you. I see an awful lot of familiar titles on the list of supported comics, so it might be worth your time to scan it for yours.
Mind you, I’m not advocating emailing the creator of the aggregator script to politely ask him to remove your comic — although I did, and he kindly complied within the hour.
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This is an essay based on the thoughts I used to kick off Episode 71 of the Webcomics Weekly podcast. I’m running it here for three reasons, it’s a pretty important thought and I don’t want you to miss it if you don’t listen to the podcast. Secondly, there are facets of the argument that deserve a little more attention, and instead of drone on while Scott, Dave and Kris wait patiently, this is the perfect plact to go deep on this kind of subject. Thirdly, judging from the discussion that it generated here, there’s still plenty to talk about.
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The group discusses longevity and what they want to do to keep producing content for years to come.
As we wind down the year, it’s a good time to mention ComicCraft’s annual font sale. Every year, on January 1, they hold a sale in which the price of each one of their fonts is based on the new year. This New Year’s Day, for example, they will be selling every font for $20.11 apiece. This even applies to fonts like ComicCrazy which normally sell for $395!
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With the holiday season coming up, you’re bound to be shipping a little more than usual, so it might be a good time to review your shipping technique.
Good shipping technique ensures that your customers will be happy when their merchandise arrives — and that means you don’t have to eat profits by re-sending books that were damaged in shipping.
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After receiving Dana Simspon’s answers to the interview questions I asked a couple weeks ago marking the one-year anniversary of the Comic Strip Superstar competition, I had some follow-up questions which Dana graciously addresses below:
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In yesterday’s Webcomics Weekly podcast, we discussed, among other things, how our view of webcomics has matured over ten years. For example, I said that I had a different view of comic conventions now than I did when I wrote the chapter on the subject in How To Make Webcomics.*
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