Cartoonist Scott C joins us to discuss his artistic journey. He discusses his beginnings, including art directing Psychonauts and Brutal Legend for Double Fine...
https://www.youtube.com/watch?v=J4CDUEBV4Rg In this livestream from May 2, 2025, I talk about what social-media platforms are working — and which ones...
I accept criticism of my art from two sources: peers on a similar journey whom I reach out to for advice (like an art-school critique, for example), and people with a demonstrated proficiency in my field. You’ll notice that the list does not include comments from individual readers or people who claim to be critics on websites, podcasts, social media, or video. Here’s why…
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If you’re publishing a book—whether independently or through a traditional press—one of the most important metadata decisions you’ll make is choosing the right BISAC Subject Heading. Short for Book Industry Standards and Communications, BISAC codes are the standardized categories used across the publishing industry to classify books by subject, genre, and audience. Far more than just a label, the BISAC code you choose can directly influence your book’s discoverability, placement in online stores, and how it’s marketed to readers. In this tutorial, we’ll break down what BISAC headings are, why they matter, and how to select the ones that will give your book its best shot at success.
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Cartoonist Scott C joins us to discuss his artistic journey. He discusses his beginnings, including art directing Psychonauts and Brutal Legend for Double Fine Productions, as well as his first webcomic, Double Fine Action Comics. He shares valuable insights on working with watercolors and creating graphic novels for younger readers. His paintings are currently on display at Gallery Nucleus in New York.
We’re often tempted to jump into crowdfunding — Patreon, Kickstarter, IndieGoGo, etc. — before we’re ready. And that can be a big mistake in many ways. So, let’s talk about getting our timing right.
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Patreon is a great way to monetize your work on the Web, but it’s inescapable — if you want paying backers, you’ve got to be prepared to make it worth their while. And that means posting often — including exclusive content. But sometimes it’s hard to know what to post when you’re putting everything you’ve got into simply doing your comic. So, what can you post when you’re out of ideas (and time)? Buckle up. I’ve got 15 types of posts that are proven winners — and most of them take very little extra time.
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In this livestream from May 2, 2025, I talk about what social-media platforms are working — and which ones are failing. Plus, why you should stop exhibiting at comic conventions, and how to write humor.
01:12 I stopped using Twitter, Facebook, and Instagram — with zero adverse effects on my business
12:47 Why I stopped exhibiting at comic cons — and improved my bottom line in the process
18:19 The danger of starting crowdfunding (Patreon, Ko-Fi, Substack, etc.) too soon
Is it OK to change your comic after you’ve already sent it to your audience? The guys also tackle tariffs, ISBNs, bar codes, and offering comics to charity organizations.
Today’s show
Making a change to a comic after it’s “out there”
Susan MacTaggart’s personal affirmation
UPDATE: Do the new tariffs apply to books??
ISBNs and bar codes for self-published books
Comics for Charity
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Whether you’re writing humor or drama, fantasy or adventure, crafting characters that stick with your readers is essential. It’s one of the most powerful storytelling tools in your arsenal—and fortunately, it’s a skill you can learn and sharpen.
Creating characters that are not only relatable but memorable isn’t immediately obvious when you’re starting out. But it’s not impossible. With a few focused strategies, you can give your readers someone they’ll recognize instantly and care about deeply. Let’s dive in.
Making a character memorable
The first step in building a character that readers remember is giving them unique traits and quirks. These are the things that make your character visually or behaviorally distinct—what sets them apart from the crowd.
Give Them a “Limp and an Eyepatch”
The phrase “limp and an eyepatch” is borrowed from Blake Snyder’s book Save the Cat. It’s shorthand for giving your character something immediately identifiable. Think of Gollum from Lord of the Rings. He’s hunched, twisted, talks in a high rasp about “my precious,” and constantly wrestles with himself. That internal conflict—Smeagol versus Gollum—is instantly recognizable. The way he moves, speaks, and emotes is burned into pop culture. That’s his “limp and eyepatch.”
Not every character has to be as dramatic as Gollum, of course. A unique voice, a catchphrase, an odd posture, or a memorable silhouette can all serve the same function.
Use the Silhouette Test
Close your eyes and picture Mickey Mouse. Now do the same for The Thing from Fantastic Four. You can immediately identify each character from their outline alone. That’s the silhouette test — and it’s instrumental in comics and graphic novels. You’ve made a strong design choice if you can recognize a character by its shape alone.
In short, make your characters visually and behaviorally distinct enough that your audience doesn’t have to guess who they’re looking at or listening to. Give them a trait or tick that can anchor them in your readers’ minds — whether it’s a verbal quirk, an iconic outfit, or just the way they carry themselves.
Making a character emotionally relatable
When writing compelling characters — especially in comics — one of the most crucial aspects is making them emotionally relatable. We’ve already talked about how to make a character memorable. But memorability isn’t enough. If your audience can’t connect emotionally, the character won’t stick. Let’s explore how to create characters that resonate on a deeper level.
Perfection is Boring
A great example of what not to do comes from the first season of Reacher. In that season, the title character was essentially Sherlock Holmes with abs — hyper-competent, always right, never making mistakes. Sure, it was fun in a campy way, but emotionally? It was a flatline.
Alan Ritchson as Reacher
By the second season, they gave Reacher some flaws. He made mistakes. He screwed up. And suddenly, he became far more compelling. Why? Because we could finally relate to him. Watching someone struggle makes them human.
Characters like Monk, Columbo, and even Sherlock Holmes became enduring not because they were perfect, but because of their flaws. Monk’s hiccups were more interesting than his brilliance. Holmes’ later years—plagued by addiction and isolation—were more captivating than his polished deductions. Those imperfections made them real.
Raise the Emotional Stakes
If you want a reader to care, give your character something to lose. Emotional stakes are everything. Ask yourself: What happens if this character fails? Then make it matter. Let the audience know why it matters. Is it love? Family? Identity? Revenge? Redemption?
You can even break it down into a simple exercise:
What does your character want?
What do they need?
What can they lose?
Answering these three things will give you a strong emotional framework to build from.
Let Your Characters Change
Growth is gripping. That’s why origin stories work so well — it’s not just about how someone got their powers; it’s about how they changed. That transformation is the hook.
Remember when we got tired of every superhero movie starting with an origin story? That fatigue overlooked something important: an origin story shows how a character evolves. And change is what keeps readers invested.
Think about it: static characters (like the Lone Ranger) are fine for certain formats. But in longform storytelling, we crave evolution. We want characters to face conflict and come out different on the other side. That’s what gives a story emotional weight.
Three Practical Exercises
Let’s talk tools. Here are three solid exercises to help you write more emotionally resonant characters.
1. The “Why Should I Care?” Test
Write a short bio for your character. A paragraph, maybe two. Then ask yourself: Why should I care?
If you can’t answer that, your readers won’t be able to either. Use that “so what?” reaction to refine your character’s emotional stakes and motivations.
2. The Dialogue Test
Can you identify a character just by their dialogue? You don’t need phonetic accents or exaggerated slang. Instead, think about:
Idioms they use
Their tone — Sarcastic? Guarded? Blunt?
Their emotional vocabulary
Would Laurence Olivier and Bill Burr describe a bad day the same way? Definitely not. Let word choice reflect personality. That’s where voice comes from.
3. Throw Them Into a Tough Situation
Put your character into a dilemma—and not just the “falling building” kind. Social embarrassment, moral conflict, awkward silence—these smaller moments often reveal more.
Ask yourself:
What do they do if they make a mistake?
How do they handle embarrassment?
What happens if they’re given power or money?
These reactions say as much about your character as any dramatic showdown ever will.
Bonus: Use Character Questionnaires (If It Helps You)
Some writers swear by those huge character questionnaires—favorite dessert, childhood pets, where they go to think. Personally, I find them tedious. But they can be helpful, especially if you’re just starting out or feeling stuck.
They can lead to unexpected insights, even breakthroughs. So don’t dismiss them out of hand. Use what works for you. The ultimate goal is to understand your character well enough that their actions feel natural — even surprising, but still true to who they are.
Emotionally relatable characters aren’t perfect — they’re flawed, they grow, they struggle. Give your characters something to care about, and your readers will care too. Keep pushing, keep questioning, and above all, let them be human.