Making friends in the comics community can be… complicated. After all, we’re kind of an introverted bunch. When it comes to social interaction, Brad and Dave have made all the mistakes, so you don’t have to! They’ll talk about trying too hard, encountering hostility, and trying to fit into a community that’s just not right for you. Speaking of realizing a community isn’t a good fit, Dave just found out he was kicked off Amazon. And that’s perfectly OK with him.

Today’s Show

• UPDATE: Dave has been kicked off Amazon!
• UPDATE: Our listeners recommend eBay for international shipping
• Making friends with other cartoonists
• What can a full-time self-published comic artist expect to earn?

Summary

In this engaging episode, cartoonists Brad Guigar and Dave Kellett explore the complexities of social interactions within the creative community, the challenges of online publishing, and the evolving role of AI in content moderation. They share personal stories, practical advice, and insights on navigating friendships, social media, and the digital landscape as artists and creators. They share personal stories, industry insights, and humorous banter that will inspire and inform creators at all levels.

Key Topics

• Social interactions among artists and creators
• Challenges of online publishing and content moderation
• Strategies for building and maintaining friendships in creative communities The financial realities of full-time cartooning
• The importance of evolving creatively and professionally
• Understanding the influence of zeitgeist on comic success

What’s in a name? Quite a bit if you’re trying to name your book. The right title can significantly affect everything from Kickstarter pledges to audience response. And there are some very real pitfalls to avoid.

What’s the difference between a concept and a conceit — and why does confusing the two quietly sabotage so many comics?

In this episode, Brad and Dave break down one of the most important (and misunderstood) distinctions in storytelling. A concept is the engine that drives your story forward. A conceit is a clever wrapper that might look great… but doesn’t go anywhere.

If you’ve ever launched a comic that felt strong at first but ran out of momentum, this conversation will hit home.

We talk about:

• Why constraints actually fuel creativity
• How to test whether your idea has real staying power
• The danger of building a comic around a gimmick
• And how to strengthen your story before you spend months drawing it

Today’s show

• A comic without recurring characters
• UPDATE: ComicLab accent challenge
• UPDATE: Amazon Advantage
• UPDATE: DoubleDogBook.com
• How to do a sarcastic word balloon

Takeaways

• Character design plays a crucial role in storytelling.
• Comics can thrive without a central protagonist.
• Idea-driven comics have historical precedence.
• Naming a comic can be a challenging but essential task.
• Feedback is vital in the creative process.
• Constraints can enhance creativity and focus.
• Monosyllabic titles are often more memorable.
• A good title can significantly impact a comic’s success.
• The creative journey involves trial and error. Sharing ideas at smaller levels can reveal what resonates.
• Avoiding sunk cost fallacy is crucial in decision-making.
• Amazon Advantage can lead to unexpected losses.
• Understanding the costs of shipping is essential for profitability.
• Sarcasm in comics requires careful visual and textual cues.
• Bold lettering can enhance the impact of sarcasm.
• Walt Kelly’s techniques in lettering were innovative but sometimes excessive.
• Comic creators should consider the visual presentation of dialogue.
• A well-crafted word balloon can convey emotion effectively.
• The legacy of past cartoonists informs current practices.

If you do one thing in the new year, let it be this: eradicate “Support me on Patreon” from your vocabulary. It’s a marketing pitch that just doesn’t work.

This week, we welcome the brilliant Dylan Meconis, creator of Queen of the Sea and Bite Me.

Here’s what we cover:

• How most colorists actually break in (hint: it’s not by “murdering another colorist in single combat” — though that was discussed)
• What “flatting” is — and why it’s often your first step into paid coloring work
• Why networking is really just “being friends with cartoonists”
• Portfolio strategy: Why saying “I do everything” is less effective than saying “I do this brilliantly”
• Analog coloring techniques — watercolor paper, oil-based pencils, and why certain materials go extinct at the worst possible moment
• The realities of scanning physical art (and why scanners are basically cameras on an arm)
• How to handle black plates, rich black, and avoiding fuzzy type in print
• If you’ve ever wondered whether coloring could be an income stream for you — or how to level up your current process — this episode is a masterclass.

Products and Programs mentioned on the show

Note: Some of the links are affiliate links

• WildCraft Studio is in Portland, Oregon. 
• PITT monochrome oil pencils by Faber-Castell
• Watercolor paints, Daniel Smith brand
• Watercolor paper (cold press) by Arches
• White watercolor paper, Dick Blick house brand
• Epson scanner, Perfection series
• Epson scanner, Workforce series
• Colored pencils, Caran d’Ache