Thanks to member Brian McLachlan who kindly submitted this piece about participating in a critique. Feel free to check out his tutorials as well as his charming webcomic.
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OK, this is weird, but there’s one thing that I want to highlight that I think Patrick is doing right. He took a long, hard look at a comic that he had put years into, and he decided that it was time to bring it to a close and try something new. Speaking as a guy who has Been There, I know how hard that can be — and the courage that it takes.
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In prepping for Comic Con last month, I came across Busy Beaver Buttons, and I was struck by a few things:
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Navigatability. Despite a fairly spare Web design, it’s easy to navigate. I’s like to see more ways to interact with the site, though — like a Cast page, for instance.
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Big thanks to Mary Cagle who offered to guest host a Hot Seat on Color!
Hey guys! First, thank you to everyone who submitted their comics for the coloring hot seat! I hope the advice rings true, and I’ll definitely answer any questions this might bring up.
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Wonderfully twisted world view. The content you are trying to access is only available to members.
Noir, baby! This comic captures the mood and the attitude of noir-era storytelling absolutely beautifully. The character designs… the characterizations… the composition… it’s very, very well crafted in that respect. The linework is coming along nicely — and that’s the hardest aspect of working in this kind of genre, but overall, I think this comic brings the noir in a big way.
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Gesture. Although the art has not fully matured, I really enjoy how Cayen works extra hard on gesture to convey additional information about the scenes being created. There’s very little “talking heads” panels… instead, the characters emote and gesture… camera angle shift… focal points are directed towards hands and actions, rather than static heads. It’s a really wonderful aspect to the comic.
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Today’s post was submitted by Webcomics.com member Nick Wright:
We all want more Twitter followers. I think most of us would prefer to simply be interesting (or famous) and let followers discover us naturally, but it’s not always easy. That said, there are a few tricks I’ve seen some Twitterers employ with varying levels of success, but the results they get may not be worth the sacrifice.
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I, personally, find it incredibly difficult to wrap my head around color theory. I’ve always wanted to offer some sort of resource for color in this site, but I am absolutely unqualified to offer advice on the matter.
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