If you’re saving your comics in RGB mode, you may be making a potentially expensive mistake.
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Brad thinks Kickstarter is the right place to go for a Brazilian cartoonist who wants to have his work re-published in English, but Dave thinks his co-host is Lost in Translation. Then, the dynamic duo gives some advice to a pro-am cartoonist who just lost their day job and is considering making the move to full-time cartooning. But first, Brad and Dave share some comic convention horror stories.
Summary
In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss the chaotic experiences of comic conventions, the challenges of translating comics for the English market, and the importance of building an audience. They also provide advice for cartoonists who have been laid off, emphasizing the need for financial stability. The conversation touches on the realities of comic publishing and the necessity of having an emergency fund when transitioning to full-time cartooning.
Takeaways
An ISBN is a 10- or 13-digit number used to identify a book from a specific publisher. Once your book is in print, you can register the title and link it to the ISBN here.
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On Substack, a cartoonist was struggling with writing a Halloween joke. He was experiencing a common problem. He was stuck in wordplay, when the really funny stuff often lies far beyond that. I offered some advice.
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When it comes to your audience, size doesn’t matter. A small and engaged readership beats a huge, lukewarm audience every time. Here’s why…
The content you are trying to access is only available to members.While you’re stuck trying to find the right way to start your comic, someone else is starting a comic their way. That’s because the only way to start a comic is the wrong way. Confused? We’ll explain. Also — storytelling without conflict? Kishōtenketsu is a story structure that emphasizes contrast over conflict. But first, Dave’s Los Angeles may have the highest number of “perfect days” in the United States, but Brad insists that Philadelphians appreciate their sunny weather more when it does happen.
Summary
In this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the challenges of starting a comic, emphasizing that there is no right way to create comics and that experimentation is essential. The hosts provide practical advice on overcoming creative blocks, the importance of consistency in practice, and the necessity of starting, even if it means doing it imperfectly. In this episode, the hosts explore the creative process, discussing the fear of starting projects and the importance of embracing imperfection. They share insights from their recent social media challenge, reflecting on productivity and the benefits of reducing screen time. The conversation shifts to the discovery of non-conflict storytelling techniques, particularly the Japanese writing style Kishōtenketsu, which emphasizes character development over traditional conflict. Finally, they discuss updates to the Patreon app, highlighting user experiences and the implications of its new features.
Today’s Show
Selling original art is an integral part of the business model of an independent cartoonist who works with traditional media (pencils, inks, etc.). But if you use digital lettering, that final art might not feel so final to a prospective art collector. What should you do?
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Let’s face it. One of the biggest hurdles in growing a webcomic is reader retention. That’s why I encourage you to set aside time this month to develop (or improve) three ways to introduce your comic to a newcomer. Here are some ideas:
The content you are trying to access is only available to members.The Butso Method will change the way you think about writing.
It’s very easy to get hopelessly lost during the writing process. We often have vague ideas of the general direction in which we want the overall story to go but no idea how to make that happen. It’s also easy to lose focus due to the vast possibilities we face. After all, we’re creating this story from literal nothingness, meaning anything can happen. But out of an infinite number of “anything,” which is right?!
When that happens, I find it helpful to focus on the basics, and that’s where the Butso Method comes in.
The content you are trying to access is only available to members.Chuck Dillon joins us this week to talk about his work for Highlights magazine, designing the Costco Monopoly board, and his delightful children’s books like The Bravest Booger and The Most Serious Fart.
Chuck Dillon
Summary
In this engaging conversation, Chuck Dillon, a talented cartoonist and illustrator, shares his journey from early inspirations to his successful career in children’s book illustration. He discusses the challenges of client feedback, the importance of teaching in his artistic growth, and how boredom can spark creativity. Dillon also reflects on his notable projects, including the Costco Monopoly board and his children’s books, The Bravest Booger and The Most Serious Fart. Throughout the discussion, he emphasizes the significance of perspective in art and the joy of collaboration, culminating in a heartfelt acknowledgment of the recognition he has received from his peers.
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