ComicLab Ep. 4
And finally, a question from the Discord server — how do you share your comics on social media AND offer exclusive comics on Patreon at the same time?
And finally, a question from the Discord server — how do you share your comics on social media AND offer exclusive comics on Patreon at the same time?
WARNING: This episode contains frank language about sexual harassment and assault.
After last month’s Listener Questions episode of Surviving Creativity we were inundated with your fantastic queries! But there was ONE question so pertinent that we knew we’d end up devoting a entire episode to it. Hunter wrote: “On the show you all present a progressive view of the comics profession, yet I know you have also collaborated with people whom the Net has deemed bad actors. Do you feel a need to distance yourselves from those you once treated as friends in those instances?” Buckle up creators, because in any creative career, you may end up working with someone you wish you hadn’t.
It’s time to nominate work for the Eisner Awards! Here’s what you need to know…
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FREE FRIDAY! Today’s post from the Webcomics.com archive can be read without a subscription! Over the past several weeks, I’ve been doing a lot of thinking about the future of webcomics. We’re in a period of significant upheaval, and rather than be frightened, I’m focusing on the opportunities that present themselves in such times.
I’ve written how social media has evolved the typical webcomics reader from a forager to someone who is force-fed. And I think that the way we handle that issue is going to define our future as content creators.
I’ve also written that I think many of us are going to have to turn to a subscription-based model (such as either Patreon or a traditional subscription-based Web site). Some of you got confused, thinking I was proposing this as the better method of serving readers. If this is you, I want you to read that post again carefully. It’s not the better choice — especially from the standpoint of readers. However, once ad revenue is removed, it just might be the only choice you have, if your goal is to earn an income through your self-published comics.
If you need any real-word examples of how this is playing out against the broader landscape, simply look to the new Star Trek series. It wasn’t available on Netflix or Hulu. Rather, it was exclusive to CBS All Access — the network’s own subscription-based delivery service. Throw in other existing services such as HBO Go, and it’s clear to see that a fantasy/sci-fi fan is going to have to keep several subscriptions going to continue watching shows like Daredevil, Star Trek, Game of Thrones, and so on.
The same thing is going to happen in comics, folks.
And the results aren’t all bad. For example, once we remove ad revenue from the equation, we’re free to rethink many things that were no-brainers for over a decade of Web publishing. And one of the biggies is this…
The archive was once the webcartoonist’s secret weapon. A big archive meant big ad-revenue dollars. Binge-readers generated significant returns on CPM advertising, and long,winding archives means plenty of SEO-based opportunities for a new reader to discover you.
Although SEO discovery is still important, ad revenue is a much smaller factor than it was a few years ago.
As a result, there’s a much smaller reward for keeping that archive readily available to binge-readers. Instead, I’m giving serious consideration to putting the majority of my archive behind a subscription wall. Now that Patreon has released a WordPress plug-in, you can offer that subscription-based archive to your patrons as yet another reward.
I would, of course, keep a healthy chunk of my recent work available for free reading. After all, that’s the best way to turn a new reader into a fan. But my goal now will be to leave just enough free content on my site to convert a fan… and then convince that fan to be a subscriber. After all, only a fan is going to subscribe to get deep-archive access. Finding that sweet spot is going to take a little experimenting. But I think it’s got tremendous promise as a revenue source.
Having discussed Instagram’s new algorithm, it occurred to me that I hadn’t discussed the new Facebook operating system. In case you missed it, a bunch of people are convinced, once again, that Facebook is going to kill their ability to reach their readers. And, once again, understanding this requires a deeper discussion on the topic. So let’s do that…
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I’ve been seeing a lot of discussion about the new Instagram algorithm. Although it’s virtually impossible to get verified information, I wanted to pass along some advice I gathered to help navigate these waters.
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This week, Brad and Dave welcome professional adventure cartoonist Lucy Bellwood. Lucy delivered a jaw-droppingly honest look at the life of a professional freelancer at the XOXO Festival last year, and it seemed only natural to discuss the importance of transparency in a profession so driven by social media. But first, Brad asks if they’ve ever performed a snow-day ritual.
If you have any thoughts whatsoever about becoming a professional cartoonist, this video is required viewing.
To be honest, it was a tip that I passed along, but personally dismissed. Patreon had been insisting that they had a simple way I could improve my ability to earn backers, but it was so simple, I decided it couldn’t be that important. I was wrong.
Here’s what I found out…
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The National Cartoonists Society has released its call for entries.
Here’s what you need to know:
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In the new episode of ComicLab, Dave Kellett and I tackle a deceptively important question: Why comics? This goes beyond the trite answers everyone give about childhood aspirations. And it’s downright crucial to know the answer for yourself — Why are you doing this? We drill deep on the topic.