January To-Do List
This is the perfect time to get organized for a successful year in webcomics.
The content you are trying to access is only available to members.This is the perfect time to get organized for a successful year in webcomics.
The content you are trying to access is only available to members.The season finale of ComicLab is sponsored by Wacom!
To celebrate the new year, the ComicLab guys are taking a look back on some of their favorite moments from 2019.
The Best Of ComicLab in 2019…
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com
Dave Kellett is the creator of Sheldon and Drive.
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys talk about hand lettering. How can someone beat the learning curve? Then, Dave pitches a superhero comic, while Brad pitches a space opera. And finally, when a listener share their mentors admonition to “learn the rules so you can break them,” both Brad and Dave share all of the mistakes they made following that very advice.
But first, while their house undergoes a full remodeling project, Brad and his family has moved in with his in-laws.
Questions asked and topics covered…
iMovie is a great tool for producing quick and easy video to promote your comic on social media. However, it has only two options for aspect ratios — Widescreen (16:9) and Standard (4:3). Unfortunately, these aren’t good fits for social media — particularly Twitter, Instagram and Tik Tok. After struggling with several workarounds and stopgap measures, I finally developed a clever way to get the square shape I want without learning more complicated software like Premiere Pro.
The content you are trying to access is only available to members.If you want to build out your comics-font library, be sure to mark this on your calendar. ComicCraft traditionally holds a sale on Jan 1 every year in which price of each of their fonts is based on the year. This New Year’s Day every ComiCraft font will be $20.20 apiece.
The content you are trying to access is only available to members.
There are two very different approaches to Patreon, and — depending on your webcomic and its readers — you may want to favor one over the other. However, some of the best Patreon approaches feature both.
The two types of Patreon campaign are best characterized as Support and Exclusive. In a Support-based Patreon, you focus on offering free content and encourage your followers to contribute to the Patreon to keep the free content flowing. In an Exclusive Patreon, you offer exclusive content in addition to your free content — and the only way to access those exclusives is through Patreon.

Patreon started out as a support-based crowdfunding app. Nearly all of the first campaigns were support-based, and many popular Patreons continue to be support-based. Amanda Palmer, for example, runs a support-based Patreon that has nearly 14,000 backers. Although she offers many rewards that only Patreon backers can obtain, all of her videos — her main content — are free. Webcomics’ Jeph Jacques runs a similarly support-based Patreon campaign supported by nearly 7,000 backers. Again, although there are some rewards that are considered exclusives (like his music column from a couple years back), but his core content — his comics — remain free.
A Support based Patreon approach is going to fall victim to the sociopsychological phenomenon of diffusion of responsibility. In other words, whenever there’s a group of people, the individuals feel less responsibility to take action when required to do so. In other words, “I don’t have to do it because someone else will.” Most webcomic readers are going to feel very little responsibility to support a comic that’s being delivered to them as long as it’s being delivered to them. (And, let’s face it, after it an artist finds it impossible to continue production, it’s too late to take responsibility for supporting the comic.)
Due to this diffusion of responsibility, a support-based Patreon relies on one of two options:
In the former, the creator relies on sheer numbers for success. If only 1% of 100,000 followers take action, that’s still 1,000 backers. In the latter option, the audience may not be vast, but their engagement — the passion they take in the artist’s content — is so high that a greater percentage of them take action (and, likely, take action at the higher reward tiers).
If you have a readership that numbers above the hundreds-of-thousands, a Support-based Patreon might be the best route for you.
Of course, if you don’t have hundreds-of-thousands of readers, you may want to consider a Patreon campaign that features exclusive content. In this approach, you still offer free content, but you also offer a second line of content that’s available only to higher-tier Patreon backers.
You free content acts as a loss-leader to introduce new potential backers to the exclusive content you’re offering on Patreon. The exclusive content is just that — accessible only on Patreon, and only for higher-level backers.
Of course, some of the best Patreon campaigns feature a little Support and a little Exclusive Content. I’m very much in favor of exclusive content, but my own Patreon page has a $2 tier that’s strictly Support-based. In fact at that level, I think the reward should reflect the Support-based approach fully — offering very little as a reward besides, perhaps, early access to the free comic.
And, of course, be sure to keep a clear distinction between rewards and exclusive content. An eBook that’s only available to Patreon backers isn’t the same as a line of comics that are exclusive to Patreon. The former is a reward — but not, necessarily exclusive content. Exclusive content is generally ongoing work in the artist’s core strength.
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss the strategy behind creating a comic solely for the film rights. Is this really a good idea?
But first, could Brad win in a fight with a hamster?
Questions asked and topics covered…
Limited-edition ComicLab enamel pins are now available at newevilbook.com and sheldonstore.com!
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com
Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys talk about hiring an editor. It’s more than catching spelling errors. A good editor can help craft your story and improve your plot.
But first, Dave remembers listening to Gloria’s pregnancy meditation tapes during her first pregnancy.
Questions asked and topics covered…
Limited-edition ComicLab enamel pins are now available at newevilbook.com and sheldonstore.com!
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com
Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss unexpected outcomes of webcomics success. Plus, Beth Reidmiller, the talented force behind the coloring of Sheldon and Drive, joins the guys to talk about collaboration and more!
But first, writing tips for the sleep-deprived.
NOTE: Dave’s audio quality suffered a slight decline during this episode — which was recorded during the same recording session as last week’s show. We apologize for the momentary lapse in sound quality. Next week’s show will return to the full-throated audio excellence you’ve come to expect!
Questions asked…
Limited-edition ComicLab enamel pins are now available at newevilbook.com and sheldonstore.com!
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com
Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss Patreon Assembly. Did it live up to the hype — or have they missed an opportunity to foster creator growth?
But first, how to navigate Thanksgiving — and dairy farms — as a professional cartoonist.
Questions asked…
Special Offer! If you become a Patreon backer at the $5 level or higher before Thanksgiving, you’ll get both “How To Make Webcomics” and “The Webcomics Handbook” as easily downloaded eBooks! Plus, you’ll get a new episode of Drunk ComicLab — which will be available only on Patreon!
Limited-edition ComicLab enamel pins are now available at newevilbook.com and sheldonstore.com!
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com
Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…