Convention Dish: Stumptown
Stumptown
- April 24 and 25, 2010
- Lloyd Center Doubletree
- Portland, OR
- Small to mid-size
The Dish
If you’ve exhibited at this convention in the past, please post details below.
If you’ve exhibited at this convention in the past, please post details below.
I’ve you’ve exhibited at this convention in the past, please post a detailed review below.
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If you’ve exhibited at this convention in the past, please post your experience below.
If you’ve exhibited at this convention in the past, please post a detailed review below.
I’m grappling with whether or not it’s “cheating” to continually borrow from my own archive to copy and paste a character’s head, a scenario, etc.
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As we head into March, I want to be sure that I’m covering some of the topics that are important to you, so if you have a specific question, please hit the Questions link at the top of the site. After your question, please provide your name, comic title and URL. If you’d like me to withhold that information, let me know that, too.
Baltimore Comic ConCreating a comic requires a blend of two very different disciplines — visual art and writing. Some people may be good artists, but they’re not so good at writing. Others may be good writers, but their art is standing in the way of their storytelling. And still others simply haven’t admitted to themselves that they fall into one of those two categories.
Which is why a collaboration is such an attractive proposition. A good writer teams with a skillful artist, and the two cooperate to make an amazing comic. When it works, Penny Arcade being a shining example, it works tremendously. But when it doesn’t work, things get dark quick.
So how do you establish a successful collaboration?
It’s the same as any relationship you might have in real life: Honesty, communication and fairness.
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