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I had an epiphany today.

Teaching the lettering segment of my Sequential Arts class at Hussian School of Art, I covered some of the basics of lettering — both hand-lettering and digital lettering.

During the course of the lecture, I described how letters have “push” and “pull” that affects their kerning. Letters that trap a lot of white space (O, Q, D, for example) push other letters away a little bit. And letters that are skinny (I, J, T and L, for example) tend to pull their neighbors in a little.

I pushed further by saying that the main mistake novice letterers make with letters such as T, J and L is that they make the horizontal aspects of those letters too wide.

The content you are trying to access is only available to members.

by Brad Guigar on January 20, 2015
Posted In: Lettering
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